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                                            <image:caption>&lt;span class=&quot;body2&quot;&gt;&lt;b&gt;Jane Hackett&lt;/b&gt; is an Irish violinist based between Dublin and Zurich, with a strong foundation in collaborative, multidimensional engagement between community and music access. Her qualifications in classical music performance has led to orchestral, chamber and solo playing throughout Ireland and internationally and later transitioned towards artform intersectional dissemination and creative sharing within her practice. Jane’s curiosity has led to many unusual pathways within her career including co-development of live violin creative audio description for Blind and Partially Sighted audiences with the Hugh Lane Gallery Dublin, educational multisensory music pathways for Deaf and Hard of Hearing children, creative inclusive tactile graphic notation and movement based work with Creative Ireland,  Cruinniú na nÓg and DLR Social Prescribing Network, as well as large scale funded experimental music concerts for and with Deaf audiences.Through her long term work with Kirkos, chamber collective Musici Ireland and circus ensemble, The Freestyle Orchestra, Jane has honed her understanding of collaborative improvisation, creative making and sound/body connection, and has toured sustainably to festivals including Huddersfield Contemporary Music Festival, Sound Scotland, New Music Dublin and Musiquees Démesurées. In 2026, Jane curated and facilitated the Deaf Perspectives Symposium: Innovations in Multisensory Music Research, working alongside a Deaf team at Dublin City University. She was also awarded a Government of Ireland Scholarship to pursue a PhD at DCU from September 2026, investigating the aesthetic experience of classical contemporary music with and for Deaf audiences.&lt;br /&gt;&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span class=&quot;body2&quot;&gt;I&lt;b&gt;sabella Utria Mago&lt;/b&gt; (she/they) is the Marketing Manager of Kirkos and is responsible for coordinating and executing all marketing activities run by Kirkos. This includes day-to-day marketing of events in Unit 44, graphic design for events and social media posts, managing social media channels, and keeping the website up to date. &lt;br /&gt;

&lt;br /&gt;Alongside their work for Kirkos, Isabella is a &lt;a href=&quot;https://isabellautria.com&quot; target=&quot;_blank&quot;&gt;designer, multi‑disciplinary visual artist and researcher&lt;/a&gt;, working across experimental publishing, writing, sculpture, and mixed‑media installation. &lt;/span&gt;&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&lt;b&gt;Jane Hackett&lt;/b&gt; is an Irish violinist based between Dublin and Zurich, with a strong foundation in collaborative, multidimensional engagement between community and music access. Her qualifications in classical music performance has led to orchestral, chamber and solo playing throughout Ireland and internationally and later transitioned towards artform intersectional dissemination and creative sharing within her practice. Jane’s curiosity has led to many unusual pathways within her career including co-development of live violin creative audio description for Blind and Partially Sighted audiences with the Hugh Lane Gallery Dublin, educational multisensory music pathways for Deaf and Hard of Hearing children, creative inclusive tactile graphic notation and movement based work with Creative Ireland,  Cruinniú na nÓg and DLR Social Prescribing Network, as well as large scale funded experimental music concerts for and with Deaf audiences.Through her long term work with Kirkos, chamber collective Musici Ireland and circus ensemble, The Freestyle Orchestra, Jane has honed her understanding of collaborative improvisation, creative making and sound/body connection, and has toured sustainably to festivals including Huddersfield Contemporary Music Festival, Sound Scotland, New Music Dublin and Musiquees Démesurées. In 2026, Jane curated and facilitated the Deaf Perspectives Symposium: Innovations in Multisensory Music Research, working alongside a Deaf team at Dublin City University. She was also awarded a Government of Ireland Scholarship to pursue a PhD at DCU from September 2026, investigating the aesthetic experience of classical contemporary music with and for Deaf audiences.&lt;br /&gt;
&lt;/span&gt;</image:caption>
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                                            <image:caption>Composer &lt;b&gt;Robert Coleman&lt;/b&gt;’s current work draws from numerous fields such as soundscape studies, site-specific art, field recording, and community and participatory arts. In 2019 he completed his Masters studies at the Royal Conservatory of the Hague with Yannis Kyriakides and Diderik Wagenaar and having also previously studied architecture his work often features spatial concepts and metaphors as frameworks for the composition process. He is currently a PhD student at the Sonic Arts Research Centre, Belfast focusing on Ecological Sound Art.&lt;br /&gt;

&lt;br /&gt;He has been commissioned by Crash Ensemble and New Music Dublin, the National Concert Hall Dublin, Irish National Opera, the Irish Museum of Modern Art (IMMA), Tallaght Community Arts, violinist Larissa O’Grady and others.&lt;br /&gt;

&lt;br /&gt;Highly active in artistic direction he is a founding member and performer with Dublin based experimental music group Kirkos and in 2023 he founded the School of Wild Listening, a platform for the discussion and dissemination of ecological sound art. Its aim is to promote an understanding of the living world and the current challenges we face through open and accessible listening and creative sound events. &lt;br /&gt;

&lt;br /&gt;Robert has a pressing interest in interdisciplinary collaborations and has worked with various artists such as the Experimental Film Society, Pim Piët (visual artist/designer)  Laura Sarah Dowdall(dancer/ choreographer with RUNNING BLIND), Mihai Cucu(visual artist), Slipdraft(lighting design) amongst others.&lt;br /&gt;

&lt;br /&gt;He has participated in various masterclasses, workshops and residencies with composers and artists such as Peter Ablinger, Jennifer Walshe, Sir Peter Maxwell Davies, John Godfrey, Jorg Widmann, Jonathan Dove, Liza Lim, Houston Dunleavy, Sebastian Fagerlund, Gráinne Mulvey, Deirdre Gribbin, Andrew Hamilton, Gert Dumbar (graphic designer), Cocky Eek (visual artist/designer), EL Putnam (artist/performer), Vicky Langan (film/sound artist), David Helbich (sound artist), Amanda Coogan (performance artist), Edu Comelles (sound artist).&lt;br /&gt;

&lt;br /&gt;As a performer he has explored experimental repertoire from Irish and international artists, performing at the Hugh Lane Sundays at Noon series, Dublin Fringe 2021, New Music Dublin 2017, Kirkos: Fluxfest, Jennifer Walshe’s Aisteach, Kirkos: Body Noise Work and also in collaboration with composer/performer Andy Ingamells and Tonnta amongst others. He is also a member of QUBe, an improvised and experimental music ensemble based at the Sonic Arts Research Centre, Belfast.</image:caption>
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                                            <image:caption>Composer &lt;b&gt;Robert Coleman&lt;/b&gt;’s current work draws from numerous fields such as soundscape studies, site-specific art, field recording, and community and participatory arts. In 2019 he completed his Masters studies at the Royal Conservatory of the Hague with Yannis Kyriakides and Diderik Wagenaar and having also previously studied architecture his work often features spatial concepts and metaphors as frameworks for the composition process. He is currently a PhD student at the Sonic Arts Research Centre, Belfast focusing on Ecological Sound Art.&lt;br /&gt;

&lt;br /&gt;He has been commissioned by Crash Ensemble and New Music Dublin, the National Concert Hall Dublin, Irish National Opera, the Irish Museum of Modern Art (IMMA), Tallaght Community Arts, violinist Larissa O’Grady and others.&lt;br /&gt;

&lt;br /&gt;Highly active in artistic direction he is a founding member and performer with Dublin based experimental music group Kirkos and in 2023 he founded the School of Wild Listening, a platform for the discussion and dissemination of ecological sound art. Its aim is to promote an understanding of the living world and the current challenges we face through open and accessible listening and creative sound events. &lt;br /&gt;

&lt;br /&gt;Robert has a pressing interest in interdisciplinary collaborations and has worked with various artists such as the Experimental Film Society, Pim Piët (visual artist/designer)  Laura Sarah Dowdall(dancer/ choreographer with RUNNING BLIND), Mihai Cucu(visual artist), Slipdraft(lighting design) amongst others.&lt;br /&gt;

&lt;br /&gt;He has participated in various masterclasses, workshops and residencies with composers and artists such as Peter Ablinger, Jennifer Walshe, Sir Peter Maxwell Davies, John Godfrey, Jorg Widmann, Jonathan Dove, Liza Lim, Houston Dunleavy, Sebastian Fagerlund, Gráinne Mulvey, Deirdre Gribbin, Andrew Hamilton, Gert Dumbar (graphic designer), Cocky Eek (visual artist/designer), EL Putnam (artist/performer), Vicky Langan (film/sound artist), David Helbich (sound artist), Amanda Coogan (performance artist), Edu Comelles (sound artist).&lt;br /&gt;

&lt;br /&gt;As a performer he has explored experimental repertoire from Irish and international artists, performing at the Hugh Lane Sundays at Noon series, Dublin Fringe 2021, New Music Dublin 2017, Kirkos: Fluxfest, Jennifer Walshe’s Aisteach, Kirkos: Body Noise Work and also in collaboration with composer/performer Andy Ingamells and Tonnta amongst others. He is also a member of QUBe, an improvised and experimental music ensemble based at the Sonic Arts Research Centre, Belfast.</image:caption>
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                                            <image:caption>&lt;b&gt;Isabella Utria Mago&lt;/b&gt; (she/they) is the Marketing Manager of Kirkos and is responsible for coordinating and executing all marketing activities run by Kirkos. This includes day-to-day marketing of events in Unit 44, graphic design for events and social media posts, managing social media channels, and keeping the website up to date. &lt;br /&gt;

&lt;br /&gt;Alongside their work for Kirkos, Isabella is a &lt;a href=&quot;https://isabellautria.com&quot; target=&quot;_blank&quot;&gt;designer, multi‑disciplinary artist and researcher&lt;/a&gt;, working across experimental publishing, writing, sculpture, and mixed‑media installation. 
&lt;br /&gt;
Her practice focuses on issues related to the body, the human, identity and materiality, and explores the use of methodologies derived from graphic design in contemporary art‑making. </image:caption>
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