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                                            <image:caption>&lt;span class=&quot;bodycopy-mobile&quot;&gt;I&lt;b&gt;sabella Utria Mago&lt;/b&gt; (she/
they) is the Marketing Manager of Kirkos and is responsible for coordinating and executing all marketing activities run by Kirkos. This includes day-to-day marketing of events in Unit 44, graphic design for events and social media posts, managing social media channels, and keeping the website up to date. &lt;br /&gt;

&lt;br /&gt;Alongside their work for Kirkos, Isabella is a &lt;a href=&quot;https://isabellautria.com&quot; target=&quot;_blank&quot;&gt;designer, multi‑disciplinary visual artist and researcher&lt;/a&gt;, working across experimental publishing, writing, sculpture, and mixed‑media installation. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>Composer &lt;b&gt;Robert Coleman&lt;/b&gt;’s current work draws from numerous fields such as soundscape studies, site-specific art, field recording, and community and participatory arts. In 2019 he completed his Masters studies at the Royal Conservatory of the Hague with Yannis Kyriakides and Diderik Wagenaar and having also previously studied architecture his work often features spatial concepts and metaphors as frameworks for the composition process. He is currently a PhD student at the Sonic Arts Research Centre, Belfast focusing on Ecological Sound Art.&lt;br /&gt;

&lt;br /&gt;He has been commissioned by Crash Ensemble and New Music Dublin, the National Concert Hall Dublin, Irish National Opera, the Irish Museum of Modern Art (IMMA), Tallaght Community Arts, violinist Larissa O’Grady and others.&lt;br /&gt;

&lt;br /&gt;Highly active in artistic direction he is a founding member and performer with Dublin based experimental music group Kirkos and in 2023 he founded the School of Wild Listening, a platform for the discussion and dissemination of ecological sound art. Its aim is to promote an understanding of the living world and the current challenges we face through open and accessible listening and creative sound events. &lt;br /&gt;

&lt;br /&gt;Robert has a pressing interest in interdisciplinary collaborations and has worked with various artists such as the Experimental Film Society, Pim Piët (visual artist/designer)  Laura Sarah Dowdall(dancer/ choreographer with RUNNING BLIND), Mihai Cucu(visual artist), Slipdraft(lighting design) amongst others.&lt;br /&gt;

&lt;br /&gt;He has participated in various masterclasses, workshops and residencies with composers and artists such as Peter Ablinger, Jennifer Walshe, Sir Peter Maxwell Davies, John Godfrey, Jorg Widmann, Jonathan Dove, Liza Lim, Houston Dunleavy, Sebastian Fagerlund, Gráinne Mulvey, Deirdre Gribbin, Andrew Hamilton, Gert Dumbar (graphic designer), Cocky Eek (visual artist/designer), EL Putnam (artist/performer), Vicky Langan (film/sound artist), David Helbich (sound artist), Amanda Coogan (performance artist), Edu Comelles (sound artist).&lt;br /&gt;

&lt;br /&gt;As a performer he has explored experimental repertoire from Irish and international artists, performing at the Hugh Lane Sundays at Noon series, Dublin Fringe 2021, New Music Dublin 2017, Kirkos: Fluxfest, Jennifer Walshe’s Aisteach, Kirkos: Body Noise Work and also in collaboration with composer/performer Andy Ingamells and Tonnta amongst others. He is also a member of QUBe, an improvised and experimental music ensemble based at the Sonic Arts Research Centre, Belfast.</image:caption>
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                                            <image:caption>Composer &lt;b&gt;Robert Coleman&lt;/b&gt;’s current work draws from numerous fields such as soundscape studies, site-specific art, field recording, and community and participatory arts. In 2019 he completed his Masters studies at the Royal Conservatory of the Hague with Yannis Kyriakides and Diderik Wagenaar and having also previously studied architecture his work often features spatial concepts and metaphors as frameworks for the composition process. He is currently a PhD student at the Sonic Arts Research Centre, Belfast focusing on Ecological Sound Art.&lt;br /&gt;

&lt;br /&gt;He has been commissioned by Crash Ensemble and New Music Dublin, the National Concert Hall Dublin, Irish National Opera, the Irish Museum of Modern Art (IMMA), Tallaght Community Arts, violinist Larissa O’Grady and others.&lt;br /&gt;

&lt;br /&gt;Highly active in artistic direction he is a founding member and performer with Dublin based experimental music group Kirkos and in 2023 he founded the School of Wild Listening, a platform for the discussion and dissemination of ecological sound art. Its aim is to promote an understanding of the living world and the current challenges we face through open and accessible listening and creative sound events. &lt;br /&gt;

&lt;br /&gt;Robert has a pressing interest in interdisciplinary collaborations and has worked with various artists such as the Experimental Film Society, Pim Piët (visual artist/designer)  Laura Sarah Dowdall(dancer/ choreographer with RUNNING BLIND), Mihai Cucu(visual artist), Slipdraft(lighting design) amongst others.&lt;br /&gt;

&lt;br /&gt;He has participated in various masterclasses, workshops and residencies with composers and artists such as Peter Ablinger, Jennifer Walshe, Sir Peter Maxwell Davies, John Godfrey, Jorg Widmann, Jonathan Dove, Liza Lim, Houston Dunleavy, Sebastian Fagerlund, Gráinne Mulvey, Deirdre Gribbin, Andrew Hamilton, Gert Dumbar (graphic designer), Cocky Eek (visual artist/designer), EL Putnam (artist/performer), Vicky Langan (film/sound artist), David Helbich (sound artist), Amanda Coogan (performance artist), Edu Comelles (sound artist).&lt;br /&gt;

&lt;br /&gt;As a performer he has explored experimental repertoire from Irish and international artists, performing at the Hugh Lane Sundays at Noon series, Dublin Fringe 2021, New Music Dublin 2017, Kirkos: Fluxfest, Jennifer Walshe’s Aisteach, Kirkos: Body Noise Work and also in collaboration with composer/performer Andy Ingamells and Tonnta amongst others. He is also a member of QUBe, an improvised and experimental music ensemble based at the Sonic Arts Research Centre, Belfast.</image:caption>
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                                            <image:caption>&lt;b&gt;Isabella Utria Mago&lt;/b&gt; (she/they) is the Marketing Manager of Kirkos and is responsible for coordinating and executing all marketing activities run by Kirkos. This includes day-to-day marketing of events in Unit 44, graphic design for events and social media posts, managing social media channels, and keeping the website up to date. &lt;br /&gt;

&lt;br /&gt;Alongside their work for Kirkos, Isabella is a &lt;a href=&quot;https://isabellautria.com&quot; target=&quot;_blank&quot;&gt;designer, multi‑disciplinary artist and researcher&lt;/a&gt;, working across experimental publishing, writing, sculpture, and mixed‑media installation. 
&lt;br /&gt;
Her practice focuses on issues related to the body, the human, identity and materiality, and explores the use of methodologies derived from graphic design in contemporary art‑making. </image:caption>
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                                            <image:caption>&lt;b&gt;Grainne Dowling&lt;/b&gt; is an audio engineer, music producer, post-production foley editor and artist-in-residence at Kirkos Unit 44. Grainne has experience across multiple genres and mediums, and a keen interest in working with emerging artists to develop their creative projects. With a focus on collaboration and experimentation, recent projects have merged innovative vocal processing and ambient instrumentation with warm guitar tones, lush synthesis and field recordings. She continues to produce and mix hip-hop, electronic, alt-pop and R&amp;#x26;B projects via ongoing collaborative partnerships with rising Irish artists including Selu, Vanessa Alto and Kendino. These works have been featured by Irish and International radio and media, including RTE 2, 98FM and Earmilk. Her recent post-production SFX foley editing credits include Netflix’s The Cuckoo, Channel 5’s Hardacres and the Teacher Season 2, and short film mixing screened at KIFF, CIFF and GAZE film festivals.</image:caption>
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